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I like putting together and pulling apart the possibilities until that ephemeral balance of BEAUTY is reached. I rely on the intuition of jazz, the disillusionment of perfectionism, the acceptance of precarious balance. I often observe the project from the outside and let the events happen. I accept and digest any kind of contamination and work through the reaserch of chemical elements in the fusion of: images, visions, emotions, gestures, movements, breathing, and everything that causes the flow of ideas into a fluid chain and unpredictability.

The project of the space is a mixture of experience, hibridization and frictions that can accomodate the differences to develop a fantastic generative potential.

 

 

The secret is to control the confusion, 

not to eliminate it.

Organized

CAOS

LIFE IS A FICTION

FICTION (literally in Italian “finzione”, from Latin: to pretend, to form, create) is the narration of imaginary events in clear contrast with the narration of real events. A large part of the attraction of the fiction is the ability to evoke the full spectrum of human emotions: to distract the mind, to give hope in times of distress, making people laugh, or leave empathic experiences without attachment.

THE MAGIC 

OF

DARKNESS

The quality of our project is, as in the cinematic image, the “pregnancy”, the suggestive power, that is the meeting point between the history of the space and the spectator, and it’s not completely arbitrary to say that in architecture as in a movie, everyone can see what they want”.

power

THE

L

OF

Anguages !

It is exciting to invent the space ranging from architecture, poetry, literature, technology, decoration, media, cinema, communication and everything else that happens around us. The problem of STYLE no longer exist , but those of LANGUAGES

Having a STYLE means knowing how to

manipulate the LANGUAGES

White

Black  

The project thus becomes a mixture of experience, hibridization and frictions that can accomodate the differences to develop a fantastic generative potential. I am viscerally anti-academic. I like black and white, purity and mistery, simplicity and extremism. The secret is to control the confusion, not eliminate it.

 

M A U R I Z I O   F A V E T T A 

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